It can be difficult to take a different approach to a story that's been worked on for ten to twelve years. In fact, I believe that's what my problem has been in past revisions: I kept too close to the original, so close that my writing style from way back when leaks into my new draft. Over the years, plot has shifted, yet old ideas still persist with a stubborn attitude. In September, I started my last plot revision of the project and became determined to rewrite it all. Not only was this my revision technique now, but it will also become, possibly, the way I revise in the future. No pressure?
One of the issues I have when I write is that I come up with a great idea for a scene, write it down, and then forget about it. If the paper is not in front of me, I write an entirely new version of the scene. Later, upon finding the original idea, I battle myself. Idea A, or Idea B? Usually I go with the latter, for the simple reason that the new idea is more interesting than the old one. This is all good and fine for first drafts. What about revisions? Before starting, I knew that would be my main problem. If I continued flying past the old plot notes, this draft would become a first draft and we would be at square one.
Not an option!
Instead of messy papers everywhere on my desk, I made a master notes list, split into at least six sections. The first was history of my land that I re-built in so many ways, which influenced the present day of the story. Next came the changes to the culture of the people. This was followed by the parts my story is actually split into. I began making mini-outlines (at least, this is how Part 1's section goes), but they evolved into adding the main differences to each section, which included "In-Between" (there is a space of about two years between Part 1 and Part 2), Part 2, and Part 3. If I consulted this packet of notes, I would not forget a lot of it.
It was a nice thought, anyway. I did check on that packet; although, as time went on I found my notes were not here. In fact, they were paper clipped together and stuck in the binder of the copy of my book I was checking. If I was finished with a particular note, it did not linger--I put it in a folder on my desk of old notes from that story.
The other problem--a much larger one--was how to revise the plot and my writing style without letting those pesky phrases from younger me slipping in. Before, I simply copied the page, typing it all up over again in order to find any errors.
No!
This time around, I realized what I should do is reread the scene I am about to write, and close the binder. No more peeking. Ideas that I enjoyed would stay fresh in my memory, while at the same time allowing my writing to improve. If a scene did not hold a great change to the plot, I copied it, but this was rarely done. My routine became to reread the old scene, reread the writing I had written the day before, and then start writing the new scene. Anything forgotten was not important anymore.
Learning to revise in the way that fits me best is an ongoing effort, as it is for us all. How do you revise? I'd love to hear!
